Monday, June 28, 2010

The Catastrophe of My Personality

I have just violently sliced my pinky while dishwashing. However, there is a new Muhly blog post to read, in which he announces this wonderful bit of news

Well, yes! How grand! September with bells on! However to contiue with the negative:

Lesson Learned: One should not use a phone that mysteriously loses battery power, receives texts the day after they were sent, and now often resets itself to January 1, 2004 as an alarm clock unless one enjoys waking up off schedule.

9-5: Red Sneakers was in for the briefest of hours, I spent most of the day in some form of a meeting or other and yoga was cancelled. At Staff, I amused the troops by cheering "Yay-- wait, what, no!" to the good for C/ bad for me news that he has gotten a better position.

Lessons All Over the Place: Continuing to use a mug with a broken handle is about as wise a choice as using a dying cell phone as an alarm. Serves you right.

It should be noted that the more I look at the word, the more I think "brie-fest" as it were a celebration of soft cheese. Delicious.

Sunday, June 27, 2010

More O'Hara & Unwritten Memories

(Sadly, nothing is better than Biarritz & Bayonne. While Mad Men starts up soon enough and I've started drinking the odd Coke now and then, this year I will not spend the summer in my beloved pays Basque)


"Having a Coke With You..."

is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles


and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvellous experience
which is not going to go wasted on me which is why I’m telling you about it

Meditations in an Emergency

Schuyler started a whole New York School binge. Except now I am ansty for Mad Men to start up again, having started Frank O'Hara. Here, "Meditations in an Emergency"


Am I to become profligate as if I were a blonde? Or religious as if I were French?

Each time my heart is broken it makes me feel more adventurous (and how the same names keep recurring on that interminable list!), but one of these days there’ll be nothing left with which to venture forth.

Why should I share you? Why don’t you get rid of someone else for a change?

I am the least difficult of men. All I want is boundless love.

Even trees understand me! Good heavens, I lie under them, too, don’t I? I’m just like a pile of leaves.

However, I have never clogged myself with the praises of pastoral life, nor with nostalgia for an innocent past of perverted acts in pastures. No. One need never leave the confines of New York to get all the greenery one wishes—I can’t even enjoy a blade of grass unless I know there’s a subway handy, or a record store or some other sign that people do not totally regret life. It is more important to affirm the least sincere; the clouds get enough attention as it is and even they continue to pass. Do they know what they’re missing? Uh huh.

My eyes are vague blue, like the sky, and change all the time; they are indiscriminate but fleeting, entirely specific and disloyal, so that no one trusts me. I am always looking away. Or again at something after it has given me up. It makes me restless and that makes me unhappy, but I cannot keep them still. If only I had grey, green, black, brown, yellow eyes; I would stay at home and do something. It’s not that I’m curious. On the contrary, I am bored but it’s my duty to be attentive, I am needed by things as the sky must be above the earth. And lately, so great has their anxiety become, I can spare myself little sleep.

Now there is only one man I love to kiss when he is unshaven. Heterosexuality! you are inexorably approaching. (How discourage her?)

St. Serapion, I wrap myself in the robes of your whiteness which is like midnight in Dostoevsky. How am I to become a legend, my dear? I’ve tried love, but that hides you in the bosom of another and I am always springing forth from it like the lotus—the ecstasy of always bursting forth! (but one must not be distracted by it!) or like a hyacinth, “to keep the filth of life away,” yes, there, even in the heart, where the filth is pumped in and slanders and pollutes and determines. I will my will, though I may become famous for a mysterious vacancy in that department, that greenhouse.

Destroy yourself, if you don’t know!

It is easy to be beautiful; it is difficult to appear so. I admire you, beloved, for the trap you’ve set. It's like a final chapter no one reads because the plot is over.

“Fanny Brown is run away—scampered off with a Cornet of Horse; I do love that little Minx, & hope She may be happy, tho’ She has vexed me by this Exploit a little too. —Poor silly Cecchina! or F:B: as we used to call her. —I wish She had a good Whipping and 10,000 pounds.” —Mrs. Thrale.

I’ve got to get out of here. I choose a piece of shawl and my dirtiest suntans. I’ll be back, I'll re-emerge, defeated, from the valley; you don’t want me to go where you go, so I go where you don’t want me to. It’s only afternoon, there’s a lot ahead. There won’t be any mail downstairs. Turning, I spit in the lock and the knob turns.

Live the Dream


The only thing better than a babe with a bicycle is a blond with a dog. This picture of Chris Taylor of Grizzly Bear, barefoot on a deck with a massive puppy is exactly what the inside of my head looks like.

Friday, June 18, 2010

Good night, terrible day

Instead of dwelling, I am reading James Schuyler Other Flowers which is all

and who are you, which
Maple are you I mean, the one who curves its
leaves like hands,
disclosing pink palms...?

and

Look, I can't go on
standing on one foot
waiting for a moon
to rise. Goodnight, moon.

Which is better than dwelling on the heartswell of desire that flooded the banks of my brains as I nearly walked into you, the tears in my eyes as I passed our watering hole, shook in my shoes on the walk home, partly in the present hot sun & rush hour traffic, partly in the memories of cool 2 am your hand hot on my neck & legs. Goodnight, Lord, goodnight my kitten, my pup, my dear, my laugh, my lust, my last gin & tonic, my only madness.

The Beautiful

Into perplexity: as an itch chased round
an oxter or early man in the cave mouth
watching rain-drifts pour from beyond


his understanding. Whether to admire
the mere sensation, enough, or hold out
for sweeter ornament, vessels of wonder


born with that ur-charm of symmetry;
lovely ones we ache to prize and praise,
climb into and become because they try


our day-by-day significance: some of us
ugly and most of us plain, walked past
in the drowned streets: pearls of paste,


salted butter, secondary colors. They
drift unapproached, gazed never-selves,
blunt paragons of genetic industry. We


desire them but cannot want such order.
We stand, mouths open, and cannot help
stammering our secrets, nailed to water.

--Roddy Lumsden "The Beautiful"

Saturday, June 12, 2010

Boardwalk Empire

1920's Atlantic City. Gin and corruption. Steve Buscemi. OMAR "Farmer in the Dell" LITTLE. Michael "Filthy Blond" Pitt. I love HBO.

Monday, June 7, 2010

British Invasion

Drizzling and cool on my last day of rest & repose. Woke early to odd dreams and birds screeching. Drank my coffee while reading Anne Carson's Nox. Ran errands, inevitably running into people I know (wish I lived in an anonymous city, that would please me immensely). Now laundry & ironing while watching 1967 Avengers episodes with endless Earl Grey. At the library I found the following:





Which I have been wanting to see forever, mainly because I wish I looked like Rita Tushingham. Tonight I will watch it with fish & chips. Anglophilia, ahoy.



Sunday, June 6, 2010

You come at the king, you'd best not miss



I have used my first real weekend in a month catching up on things lent to me, esp Season 5 of The Wire. It's been real, shitbirds.

More wild flaws to fold into your letter

(fragment from "Anoikis" by Christina Garren)

the river deepens, thickens—it is night
and now I am able to see your torso, white and glistening, move above the black
element—
I see your mind too—its small fire-like net of kindling—its trap
of thought—I have a raft
a drowned man left behind—I’ll blow it up and follow you,
your wading path, your marvel through here—as through my own
mind’s riot of rivers
still
you steal my heart

the birds and I are restless—awake—alone—raw’s the hour dawn—
I hear the stream break across the rocks in rapid white bursts
of brisk explosions—
I hear the shrapnel-like voices of the birds constellate and swarm—
mute it for me with your presence, with your step
come here, see my ax—touch
the path I carved

it is midnight, but I have found the lamp
of the forest
left on, always left on—this waterfall—its surge—its white
wattage lights the hall of woods—
the rock’s moss—the stick paths—this lamp left on
does
what you once did—my missed one—come again—
annihilate
the dark

you know I love
the damaged thing—and so I send this petal to you—torn
debris—taken
from the other
morning glories of the mountain side—
this half-face, ripped—I send it
from where I wait for the wind to bring me more
wild flaws—to fold
into your letter

this new phosphorescent dark
drugs me now—
more awake, more alive—
everything here buzzes, in this forest after-hour, in this
black-light—
the leaves are amplified and the bamboo thatch is a wired wall—it is
not you
this time—my black
drop of dew—not us—this time—but an airy phosphorescence
is the drug

Saturday, June 5, 2010

I love you best of all





Julia Gfrorer (http://www.thorazos.net) writes and draws: absurd scenarios involving James Bond, Doctor Who, St. Francis of Assisi, Lancelot, Wolverine, and naked scrawny ladies among other things. After my own heart.